Skip to main content

Why #EndSARS “Manifested” In My Latest Novel – Wole Soyinka

Nobel laureate, Prof Wole Soyinka, has described the recent nationwide EndSARS movement as one of the issues that found expression in his latest novel, which captures the impending dangers of a desperate society.

Soyinka noted that the more Nigeria decays and betrayals are encountered, it points to a future of implosion where the people have to lead a revolutionary struggle.

Wole Soyinka


The playwright stated these in an interview with Channels Television monitored by SaharaReporters.

The interview centred on his new novel, “The Happiest People on the Earth”, which he wrote during the COVID-19 holiday.

Soyinka described the EndSARS movement as one of the “manifestations” of his new piece.

He said, “So, there are so many things I could find to do here. But this has been an internal demand for a number of years. The more this society decays, the greater the betrayal encountered. Look at what happened, EndSARS is another manifestation of this novel. You know, it is something coming to the fore and which has to be expunged. So take the novel, yes, just another feature of SARS.

“This society needs to be told some truth and told in some very harsh, rigorous way. When I say society, and I am not talking just about government, I am talking about the society which accepts, and has programmed, or which has programmed itself to accept the rape of children, the butchery of humanity for money rituals, the lynch mentality which has also become common.

“No other word for it. North-East 100 deaths, another comes from the south, 50. People have been butchered. In the meantime, within that society are those who are doing very well for themselves. The normal pressure of contradictions within the society has to find expression in one way or the other.

“The title (of the novel) is meant to be deliberate. It is a negative title. It doesn’t talk about the happiest people, and it has no intention of talking about the happiest people. I’m glad you mentioned the title. How do ideas for creative work come into being? Sometimes, it’s just something somebody said. But somebody says that thing in a particular context. And it distracts you so very forcibly.

“So, there is a deliberate irony about….the happiest people. Let’s see what constitutes happiness. But, also we have a habit of swallowing bile in this nation, which is putting a brave face on things. The danger of that is it comes to a point the veneer shatters completely, and it manifests itself as I said in EndSARS movement.”

#EndSARS

Books

News

AddThis

Original Author

SaharaReporters, New York

Disable advertisements

from 24HRSNEWS
via 24HRSNEWS



from EDUPEDIA247https://ift.tt/2JFeHcs
via EDUPEDIA

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F