Skip to main content

Lawmakers Slam NNPC, Demand Details of Expenditures On Rehabilitation Of Refineries, Others

The House of Representatives on Thursday frowned at the management of Nigerian National Petroleum Corporation for concealing information on its expenditures.

The lawmakers also asked the corporation to open up its books on all the expenditure incurred on Joint Venture Cooperation, pipeline maintenance, rehabilitation of refineries.


The House committee on Petroleum (Upstream), made this known during the 2020 budget performance and 2021 budget defence of the NNPC at the National Assembly.

Chairman of the committee, Musa Sarkin Adar, expressed displeasure at the attitude of the NNPC management for not coming up with the details on the expenditure during the financial year.

He said, “Most of your details are not projected at all. On expenditure of the pipeline you never gave us any details, a budget of N57.90bnn, we need to know the details. Your JVC is negative. Rehabilitation of the refinery, you didn’t give status of the refinery as of now.”

Though he commended the NNPC management for presenting the corporation’s budget for the first time to the parliament, as well as its contribution towards the introduction of the Petroleum Industry Bill (PIB).

“Going by what has happened initially, most of the problems come from NNPC, they see PIB as something that could undermine them and take away their privilege and rights. We appreciate them for cooperating to bring the PIB at this very important time. Nobody wants their power ceded so I salute their courage,” he added.

Responding to questions by members of the committee, Group Managing Director of the NNPC, Mr Mele Kyari, assured the National Assembly of transparency and accountability.

He said, “We need to see that every data we have is available to this National Assembly, we are not hiding anything. On details of the gas project we have track of how much was spent on all projects and we will provide all.

“On details of pipeline security, we have 5000 kilometres of pipeline, we have 13 fuel depots, apart from two pipelines, others are not active. We cannot flow products into these lines, because they have aged. But the real reason is that the level of vandalism activities on these lines is gross and profound

“When I came on board we sought support of investigative agencies to contain this. In 2019, from January to June we’ve lost petroleum products close to N43bn in just one night in six months stolen and that level of loss have come to less than N3bn. We’re proud to have done this but to this we maintain an architecture of security which is needless in a very sane environment. This is reality, the alternative is to do nothing.

“In terms of production, our estimate for production is 1.88 million barrels per day away from the 2.3 initially down in the 2020 budget.”

Oil

Politics

News

AddThis

Original Author

SaharaReporters, New York

Disable advertisements

from 24HRSNEWS
via 24HRSNEWS



from EDUPEDIA247https://ift.tt/2KJtdQW
via EDUPEDIA

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F