Skip to main content

Governor Sanwo-Olu Aware Of Plans By Soldiers From Bonny Camp To Attack, Kill Lekki Protesters

The plan to use soldiers from Bonny Camp, Victoria Island, Lagos, to attack and kill peaceful protesters at the Lekki Toll Gate area of the city on Tuesday may not be without the knowledge of Governor Babajide Sanwo-Olu after all, fresh facts at the disposal of SaharaReporters have indicated.

Shortly after the governor declared a round-the-clock curfew in the state, some persons were captured on camera dismantling the CCTV attached to the toll gate, one of the main convergence points for young Nigerians demanding an end to police brutality and state repression.

Lagos Governor Babajide Sanwo-Olu


As nightfall crept across the landscape, most of the street lighting around the area were suddenly turned off.

Minutes later, heavily armed Nigerian Army personnel moved into the scene to complete the plan.

By the time sounds of their guns died down, dozens of protesters had been killed.

See Also

#EndSARS

LIVE: Nigerian Military Open Fire On Peaceful #EndSARS At Lekki Toll Gate


While Amnesty International put the number of deaths at 10, eyewitnesses said that the figure is far higher.

According to a source, over 90 persons were killed across Lagos alone during the violence that erupted after Tuesday night’s incident but there are ongoing efforts by the government to conceal this fact.

One victim of the Lekki shooting will have one of his legs amputated tomorrow due to the extent of damage sustain during the attack.

Though Governor Sanwo-Olu blamed ‘forces beyond our control’ for the attack and insured that he had no authority over military engagements, available facts at the disposal of this medium indicate that the governor is being economical with the truth.

See Also

#EndSARS

Lekki Massacre: Forensic Analysis Proves Videos Of Killings Are Genuine


Angered by the killings by the army and the Lagos State Government’s suspected involvement in the massacre, angry residents attacked public properties and also destroying some known investments of a former governor of the state, Asiwaju Bola Tinubu.

Television Continental and The Nation Newspaper are two among several investments burnt by irate youth.

The toll plaza of the Lekki-Ikoyi Link Bridge, another money spinner said to be controlled by the former Lagos governor was also burnt.

#EndSARS

Human Rights

Military

Politics

News

Reports

AddThis

Original Author

SaharaReporters, New York

Disable advertisements

from 24HRSNEWS
via 24HRSNEWS



from EDUPEDIA247https://ift.tt/35wls7r
via EDUPEDIA

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F