Skip to main content

We Don’t Need Thugs, Guns To Win Ondo Election —APC

The All Progressives Congress in Ondo State has said that it does not need thugs or guns to win elections in the state.

Spokesperson for the party in the state, Mr Alex Kalejaye, in a statement on Wednesday said the party does not need violence to win the election.

He said the APC was aware of an “uncoordinated blackmail” from the Peoples Democratic Party and Zenith Labour Party ahead of the governorship election in the state on October 10.


The statement reads, “We neither need guns nor cutlasses to do this. 

“The governor of the state and APC flagbearer, Oluwarotimi Akeredolu, will never be a man to go about with thugs, guns or be a party to violence of whatever colouration. 

“Violence and thuggery are not in the character of the APC. It is astonishing to hear the PDP accused the ruling party of promoting a do-or-die approach to the election, which is actually their second name.

“The desperation of the PDP leaders is responsible for the bulk of crises recorded so far in the state. 

“The APC also has it on good authority that the unannounced alliance between the PDP and Zenith Labour Party is geared towards constant creation of a semblance of attacks on each other and blame the ruling party for same.”

While urging security agencies in the state to do their job, the APC charged the police to be ruthless on any political party planning to disrupt the election. 

Politics

News

AddThis

Original Author

Saharareporters, New York

Disable advertisements

from 24HRSNEWS
via 24HRSNEWS



from EDUPEDIA247https://ift.tt/3iT3TnE
via EDUPEDIA

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F