Skip to main content

Enter Nyesom Wike — Obaseki’s New Godfather By Fredrick Nwabufo

Alliances can make and mar us. Jehoshaphat, king of Judah (south of Israel), was a man, who sought the face of God. He was a decent ruler. But his yoking with kings of base virtue ruined his legacy. In particular, his dalliance with the house of Ahab and Jezebel impaired his bloodline and nearly cost him the glory of Yahweh.

Power is a principal thing but the path on which we tread to its courts matters. I think it is hypocritical fighting a system but at the same time enjoying the dysfunctionality of that system.

The Edo governorship election has taken its place in the past of gritty and rousing contests. But the lessons from the election will remain fecund in our political discourse. One thing stands out. Nigerians detest the ‘’contrivances of godfatherism’’. The election is inherently an action against godfatherism and all its appliances. The ‘Edo no be Lagos’ mantra is a revolutionary shibboleth which conveys the coup de grace to an endemic political scourge.

I think Bola Tinubu, National Leader of the All Progressives Congress (APC), set up Osagie Ize-Iyamu, candidate of the party, by insufferably putting a demand on the people of Edo State on who they must vote. Nothing irritates more than valorous arrogance. Tinubu over-estimated his influence. That broadcast he did a few days to the election adjuring the people of Edo to reject Obaseki on the grounds that the governor is a dictator in no small measure ricocheted, putting craters to Ize-Iyamu’s ambition.

Fredrick Nwabufo


Also, the first rule of godfatherism is ‘’do not act like a godfather’’. Adams Oshiomhole, former National Chairman of the APC, broke this canon by stepping beyond the remit of his mortal powers and attempting to wrestle with the celestials. His ego got the better of him. He wanted to whip an ‘’erring’’ godson to shape but lost himself in the process. He cut off his nose to spite his face.

Oshiomhole’s nemesis is graphed in this dictum by my friend, Sulaiman Aledeh: ‘’Legend has it that there once lived a powerful man who was so disturbed by a rat in his home. He burnt down his house in an attempt to kill this rat. The rat did not die; it jumped out of the inferno leaving the man without a home – he became homeless.’’

But what is next for Obaseki? Will he rebel against his new ‘’godfather(s)’’ in the PDP who gave him the platform to fulfil his ambition? And is his re-election the end of godfatherism in Edo as he bravoed? I think not. As I said in a previous article, ‘’our political process is cannibalistic; it is dog eat dog. National interest succumbs to group and individual interest in our brand of politics. It does not reward rebels or people of independent disposition. To chance on political office, you must contort your principles and personal integrity to fit into the agenda of the keepers of the political platforms, notoriously regarded as the ‘godfathers’. The godfathers control these political platforms. They hold the reins of political progression. So, as long as the present political ecosystem subsists, godfatherism will remain in Nigeria.’’

Really, I see Obaseki fleeing from one godfather drama to another. The governor will realise soon enough that his new political benefactor, Nyesom Wike is an absolutist; a one of kind godfather. Wike combines brute with arrogance. He does not fancy otherness or contraries. It is his way always.

The governor of Rivers State runs the PDP – by virtue of the resources at his disposal. The party conforms to his whim and caprices. It is said in PDP circles, you cannot get anything done in the party without Wike’s blessings. In September 2018, he threatened that there would be consequences if the PDP moved the party’s national convention away from Port Harcourt. The leadership of the party quickly fell in line.

When Wike sneezes the PDP catches cold. Clearly, Obaseki understood this as he hurriedly paid obeisance to Wike soon after he defected to the PDP – when the APC rejected him. In the build-up to the Edo election in June, Wike threatened to withdraw support for Obaseki over a publication alleging he was in cahoots with some persons to stop the Edo governor from participating in the party’s primary election – and as it is customary there was grovelling and back-bending to the godfather and ‘’national governor of the PDP’’ .

Wike was named PDP Edo campaign DG principally as a recognition of his pre-eminence in the affairs of the party. He is the PDP. He holds the reins of political progression in the party. He calls the shots. He is the godfather.

But how well can Obaseki navigate through the relationship maze with Wike who is erratic, impulsive, short-tempered and domineering?

Well, I foresee that there be will spheres of conflict between Obaseki and Wike; not necessarily as regards areas of administration in Edo, but on differences in political interest and pursuits.

Obaseki must beware of the new godfather and the godfathers in the PDP. Wike fights dirty.

Fredrick Nwabufo is a writer and journalist

Twitter @FredrickNwabufo

Opinion

AddThis

: 

Original Author

: 

Fredrick Nwabufo

Disable advertisements

: 

from 24HRSNEWS
via 24HRSNEWS



from EDUPEDIA247https://ift.tt/3iNnuFX
via EDUPEDIA

Comments

Post a Comment

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre
Post a Comment
Read more

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,
Post a Comment
Read more

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F
Post a Comment
Read more