Skip to main content

13-year-old Boy Sentenced To 10-year Imprisonment For Blasphemy Appeals Judgment

Farouq Omar, a 13-year-old boy sentenced to 10 years imprisonment for blasphemy, has appealed the judgment that convicted him at the Kano State High Court.

Omar was convicted on August 10 by Aliyu Kanu, the same judge, who sentenced a musician, Yahaya Sharif-Aminu, to death for blaspheming Prophet Mohammed.

Baba-Jibo Ibrahim, spokesperson for Kano Region Justice Ministry, said the teenager was sentenced to 10 years in prison for making derogatory statements towards Allah.


 

The development has stirred an outcry among many Nigerians.

In a suit filed at the Kano State High Court on Monday, Kola Alapini, Omar’s counsel, on behalf of the Foundation for Religious Freedom, asked the court to set the judgment aside.

The respondents in the appeal included the Kano State governor, Abdullahi Ganduje, Commissioner of Police and the Attorney-General of the state.

According to a copy of the court document seen by SaharaReporters, the teenager pleaded that the court should set aside the judgment because the law used to convict him was unconstitutional and conflicts with the Nigerian constitution, African Charter on Human and Peoples Rights and the Universal Declaration of Human Rights.

He added that the Sharia law is only applicable and permissible in Islamic theocracies or countries whose constitution allows for such laws and not in Nigeria — a secular state with constitutional democracy.

“The offence of blasphemy is no longer a cognisable offence in Nigerian by virtue of Section 10 standing alone or in conjunction with Sections 38 and 39 of the constitution respectively. A capital offence seeking to terminate human life must comply strictly and especially with the right to life provisions of the constitution of the Federal Republic of Nigeria.

“The Kano State government lacks the constitutional authority to adopt legislative mechanism to exclusively compensate Muslims for its lack of performance in providing good order and security by enacting unconstitutional laws that curtail the right to freedom of expression and freedom of conscience and blasphemy laws essentially censored religious opinions, critical expression of human conscience and thoughts and significantly,” he said.


The FRF in a statement condemned the earlier judgment.

“On Monday, 7th September, 2020 we on behalf of the Foundation for Religious Freedom successfully filed an appeal with number K/40CA/2020 on behalf of Omar Farouq at the Kano State High Court.

“Omar Farouq is a 13-year-old boy (a minor in the eyes of the law) sentenced to 10 years imprisonment with menial labour for blasphemy. In the same Sharia court in Filin Hockey, Kano, by the same judge that sentenced Yahaya Sharif-Aminu. Both boys were convicted the same day.

“This is a violation of the African Charter of the rights and welfare of a vhild. A violation of the constitution of the Federal Republic of Nigeria. The Kano State Government will have their day in court,” the group said.

Human Rights

Legal

News

AddThis

Original Author

SaharaReporters, New York

Disable advertisements

from 24HRSNEWS
via 24HRSNEWS



from EDUPEDIA247https://ift.tt/3bFPfxo
via EDUPEDIA

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F