Skip to main content

About 150 Deaths Recorded In Azare Within 30 Days, Says Bauchi Governor

Bauchi State governor, Bala Mohammad, has said that about 150 people died in Azare, the headquarters of Katagum Local Government Area, in the last 30 days.

Mohammad said hypertension and other related diseases were responsible for some of the deaths.

Ibrahim Baba, a former member of the House of Representatives from Bauchi, had written a letter to President Muhammadu Buhari over a massive outbreak of Coronavirus in Azare. 

In the letter dated May 8, 2020, Baba said Azare had recorded over 100 COVID-19 deaths in the last one week.

But speaking on Sunday, Governor Mohammad told journalist that about 150 had died so far in the last 30 days, according to a report received from the committee set up to investigate the strange death.

He said, “We have reviewed the rumour about Azare that it has become a morgue. It’s not true, we have gotten the statistics of the death in the last 30 days.

“About 150 died in Azare, an average of about eight death per day and most of them we have found the cause to arising from hypertension and other related diseases.

“It’s not true that people are falling and dying in Azare, even if that is the situation ,we are moving there as a government.”


 

Politics PUBLIC HEALTH News AddThis :  Original Author :  SaharaReporters, New York Disable advertisements : 


via IFTTT

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F