Skip to main content

Policeman In Lagos Brutalises Pepper Seller Over N200 Bribe


A policeman in Lagos has attacked a pepper seller and the motorcycle rider that conveyed her at the time for refusing to pay a N200 bribe. 

The woman simply identified as Mrs Folorunsho was on her way to the Mile 12 Market in Lagos to buy pepper and tomatoes to sell  to her customers when a policeman attached to the Pedro Police Station under Somolu Local Government Area stopped the motorcycle rider to collect N200 as 'settlement' from them. 

Narrating her ordeal, the woman said, "Around 2:30pm, I got ready to go to Mile 12 and so hailed a motorcycle. 

"While on our way, one of the policemen at Pedro Police Station popularly called Alhaji accosted us and told the motorcycle rider to stop. 

"The rider who was already on top speed, was trying to halt when the policeman used a huge drum to hit him.

"The rider and I fell to the ground and were left unconscious. 

"When the policeman saw what had happened, he ran into the station with his colleagues. 

"The community members who witnessed the whole thing gathered outside the station and began chanting that the policeman had killed people and ran into the station.

"After much protest, some of the policemen came out with a van and took us to a hospital." 

Speaking further, Folorunsho said the policemen soon ran away from the hospital in order to avoid paying the hospital bill.

She added, "They gave the hospital our names and ran away. 

"They didn't wait to pay for our treatment or ensure that we were okay after causing us serious injuries.

"Just because they wanted a bribe of N200, they ruined my face and almost killed me."
 

Human Rights Police News AddThis :  Original Author :  SaharaReporters, New York Disable advertisements : 

from All Content
via

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F