Skip to main content

[Music + Video] Tinuade Ft. Preye Odede – Who You Are

Tinuade Ft. Preye Odede - Who You AreDiadem Multimedia International (DMi) launches “Who You Are,” another phenomenal single from frontline music minister, Tinuade off her upcoming debut album helmed by super producer, Dami Ayeni.

Tinuade enlisted the expertise of Script Music head honcho, Preye Odede to make the Afrocentric song an outstanding effort.

“Who You Are was written during a family worship time,” said Tinuade.

“A full definition of the person of God to us as expressed in Psalm 18, which is our assurance of Victory. It expresses who God is to His children.

“Through divine arrangement, Minister Preye Odede was brought on board to lend his incredible vocals to the song.

“In such a time like this, God remains the answer the world needs. He is the solution that melts all fear and confusion. I pray He will create a pathway of escape for you in time of trouble, He will hide you from the flood and plagues of life. Mighty is our God!”

Watch Video & Download Audio Below;

Stream & Download Audio Below; 

 

DOWNLOAD MP3

 

About Tinuade

Tinuade Ilesanmi is a lover of God and all He represents, a songwriter, music minister, praise and worship leader. Her humility and meekness has always proven her worthy to secure all the great blessings which God has entrusted to her despite her will and they have flourished, and her music is not left out as she keeps commanding leading results in every platform and different stages of her ministration.

Tinuade Ilesanmi is given a mandate by God to usher His people into His presence in sincere heart of praise and worship. Her life and her family is a testimony which has always been a sole inspiration and motivation to her act of worship, her lyrics are soul lifting and mind elevating, her sound comes from a refined heart as an acceptable offering.

At 9 her journey through singing started in her home church choir, the essence of worship aroused deeply in her during her higher institution days when she gave her life to Christ, and then the singing of Gospel music became her expression. She joined NIFES (Nigeria Fellowship of Evangelical Students) choir and served there until she graduated, she also had the privilege of been part of the music team of Nigeria Youth for Christ, since then by the help of God she has served in various music groups and presently serving with her church choir at Living Faith Church and also part of the newest move in the City of Port harcourt, The Colt of Diamonds which holds the monthly Voice of Worship (VOW) online worship. By God’s election she recently signed to the label of Diadem records as a Gospel Artist, and has ongoing projects yet to be out soon.

Tinuade is a graduate of Urban and Regional Planning, graciously married to Ilesanmi Adekunle and they are blessed with 3 adorable children. She currently works as Director at Diadem Multimedia International. She hails from Ogotun Ekiti, but presently resides with her family in Port Harcourt.

 

The post [Music + Video] Tinuade Ft. Preye Odede – Who You Are appeared first on Gospel Song .



from Gospel Blog – Gospel Song
via GOSPELMUSIC

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F