Skip to main content

Watch Tiwa Savage Talk About What Women Want In Bed & Dealing With Yeast Infection

Tiwa Savage

With the global pandemic of Coronavirus keeping even celebrities at home, Tiwa Savage has expressed how boring such restriction has made her and if there is one way she is dealing with this boredom, it is talking to her fans about sexual issues with her friends, Iceberg Slim and Traffic, what women want and what men have to stop doing .

According to Tiwa Savage,  men have believed the myth that women like it when they have big p*n*s and the singer revealed that it is not true, instead, women prefer when men understand what to do with their average-sized p*n*ses rather than “reach for the throat with their big-sized” third leg.

She also talked about women being clean and taking care of their Privates, opening up further about Yeast infection and things women should do to not just protect themselves from having one but how to also treat it when they do.

Watch the educative video;

 

What Others Are Listening To

The post Watch Tiwa Savage Talk About What Women Want In Bed & Dealing With Yeast Infection appeared first on Latest Naija Nigerian Music, Songs & Video - Notjustok.



from Latest Naija Nigerian Music, Songs & Video – Notjustok
via EDUPEDIA

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F