Skip to main content

[Video] Chukwuma Favour – Kosi [There’s None]

Gospel Music Minister, Singer, Songwriter Favour Chukwuma releases the visual of her brand new single titled “Ko Si“, a Yoruba phrase which literally means “There’s None” (being “There’s No One Else) as a way of affirming God’s irreplaceable and undeniable Existence and competence.

“Ko Si” is a beautiful traditional/contemporary piece with a danceable rhythm that will keep you on your feet from start to finish and possibly on a replay.

The producer Rotimi Keys ( one of Nigeria’s best Gospel Music producers) did an awesome job in bringing out the aesthetic and artistic interpretation of the Favour Chukwuma’s in her sound.

Favour Chukwuma is a praise/worship leader at the international headquarters of The House on the Rock Church, Lagos where she’s doing a great work in honor of God and His kingdom.

She has shared platforms with both local and international gospel greats in the likes of Donnie McClurkin, JJ Hairston, Planet Shakers, Chioma Jesus etc. Associated also include the Likes of Sammie Okposo, Mercy Chinwo, and Onos Ariyo and  many more.

Watch Video & Download Audio Below;

 

Stream & Download Audio Below; 

 

 

Download

The post [Video] Chukwuma Favour – Kosi [There’s None] appeared first on Gospel Song .



from Gospel Blog – Gospel Song
via GOSPELMUSIC

Comments

Post a Comment

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre
Post a Comment
Read more

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,
Post a Comment
Read more

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F
Post a Comment
Read more