Skip to main content

EXCLUSIVE: Witnesses Confirm Amaechi's Presence During Kaduna Train Station Attack

Contrary to denial by Minister of Transportation, Rotimi Amaechi, and other loyalists of the All Progressives Congress, SaharaReporters has confirmed that Amaechi and other train passengers were attacked by bandits in Kaduna at the Rigasa Train Station on Sunday night.

In the attack, which Amaechi and his convoy narrowly escaped, it was confirmed that the gunmen waylaid the passengers at Mando Road as they were disembarking from the train.

The news of the attack was first published by Daily Nigerian, an online newspaper that reported that Amaechi alongside hundreds of passengers escaped an attack.

Aisha Yesufu, a rights activist, also confirmed the attack as she said that her relatives were at the train station when the attack happened.

She tweeted, “Chibuike Rotimi Amaechi, you should be ashamed of yourself. My sister, my brother and my sister-in-law were in that train. When your convoy scattered and you fled like a new born mouse whom water have been poured on, it was witnessed!. Governance is not by lies and propaganda!”

In what appears to be an attempt to hide the frail security of lives and properties at the train station and along the road, Amaechi said he was not attacked neither did he witness any attack.

Recall that the Nigerian Railway Corporation also denied an attack on passengers on the January 2, 2020 when some gunmen shot at a train on the Abuja-Kaduna route.

In reaction to the attack, Managing Director, NRC, Fidet Okhiria, said that there was no attack on the train by gunmen.

Okhira claimed that ‘some boys’ threw stones at the train and it hit one of the coaches.

Confirming the Sunday night attack at the Rigasa Train Station, one of the passengers, who pleaded anonymity, confirmed that not only was there an attack but that Amaechi was present at the train station during the incident.

The eyewitness said, “It was when we were dispersing that the people were attacked, not the train.

“The Mando Road is a bit lonely but there are some security posts just that they are far away.

“Amaechi and the security took the same road and few minutes after, there was a shout and people were turning back from the road.

Amaechi and his entourage along with other people going through Mando Road turned back and took the other road at the train station.

“We don’t know whether the bandits came for Amaechi or other passengers but it is confirmed that there was an attack.”

The eyewitness questioned why Amaechi was lying about the incident and trying to hide from the public the true state of things at the train station.

The witness added, “This is human lives that we are talking about. I don’t know why he is trying to cover the attack. He first said that he was not attacked and they came back to say the attack happened far from the train station and he was not there.”

ReplyReply to allForward

CRIME Politics Scandal Exclusive News AddThis :  Original Author :  SAharaREPORTERS, NEW YORK Disable advertisements : 


via IFTTT

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F