Skip to main content

VIDEO: Pat Uwaje King – God of Wonders

Gospel Artist, Pat Uwaje King releases another single, “God of Wonders” from her forthcoming sophomore album as an offering to God.

Speaking about the song, Pat shares: “What a wonderful God we serve! Full of wonders and glorious in splendour! This new song, GOD OF WONDERS, another single from our soon to be released sophomore album, was intended to capture as much as a tiny fraction of the awesomeness of God”

Set in English and Igbo Languages, the song is bound to take you to an intimate place of worship. We invite you to go on this journey as you enjoy worshiping ABBA with this tool.

WATCH VIDEO

DOWNLOAD AUDIO

CONNECT ON SOCIAL MEDIA
Instagram & Twitter: @PatUwajeKing

LYRICS
———
Idi ebube, Idi omimi
(YOU ARE GLORIOUS, YOU ARE UNSEARCHABLE)

Idikwa itunanya (YOU DO AWESOME WONDERS)

Ikariri echiche mmadu
(YOU ARE BIGGER THAN THE HUMAN MIND)

Odighi onye dika gi
(THERE IS NO ONE LIKE YOU)

GOD OF WONDERS
INVISIBLE GOD
YOU ARE GREAT
YOU DO MIRACLES SO GREAT

Idi ebube
(YOU ARE GLORIOUS)

Ikariri ihie asi n’ibu
(YOU ARE BIGGER THAN WHAT PEOPLE SAY)

Onyeoma Me
(MY GOOD GOD)

YOU ARE WORTHY TO BE PRAISED

The post VIDEO: Pat Uwaje King – God of Wonders appeared first on Latest Naija Nigerian Music, Songs & Video - Notjustok.



from Latest Naija Nigerian Music, Songs & Video – Notjustok
via EDUPEDIA

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F