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TYPES OF DRAMA II


Comedy:
We use the words 'comedy' and comic to describe something that is funny in our everyday lives. These include a joke or a fantastic story that is full of nonsense, or an absurd appearance that makes us giggle, smile or laugh. Comedy is not inherent in things or people but the way things/people are perceived. Comedy is a deliberate presentation of events/experiences drawn from real life but not the same with real life. We should therefore not expect dramatic comedy to be the same as real life. Generally, the plays have good endings or resolutions, so when a play ends happily, we refer to it as comedy. In most comedies, the principal characters begin in a state of opposition either to one another or to their world or both. By the end of the play their opposition .is replaced by harmony. Aristotle in-.his “Poetics” insisted that in tragedy men are shown “better than they are”, while in comedy “worse than they are”.
For him it is an artistic imitation of men of inferior moral bent, not in every way but only in so far their shortcomings are ludicrous. These short comings cause no pain. Jn. the classical period there was no mixture of genres Horace maintains that tragic characters must be noble, while comic characters are ignoble and of lower birth and foolish. Moliere believed that his audience could learn from the dramatization of ridiculous and universal types. Comedy therefore teaches through laughter, sees it as an imitation of common errors of life which is presented in the most ridiculous and scornful manner so that the spectator is anxious to avoid such errors himself. It should aim at being delightful though not necessarily by provoking laughter.
We recognize comedy through its style, characterization, diction and other elements of style. The purpose of comedy is to delight, to teach and to entertain the audience through the presentation of characters, situations and ideas in a ridiculous manner. This helps to keep man close to sanity, balance and to remind him of human frailties. It helps to keep him humble and mindful of what he is rather than what he might wish himself to be. Modem scholars believe that the purpose of comedy is to correct vices therefore should not exclude any class. Satire is an important instrument in comedy because nothing reforms majority of men like the portrayal of their faults. It is easy for people to endure being made fun of. Many people may have no objection to being considered wicked but are not willing to be considered ridiculous. The audience is thus expected to learn from the stupidity of the characters and try to avoid such pitfalls because nobody likes to be made an object of ridicule. Generally speaking, comedy adopts a different approach from that of serious drama. It presents the incongruity in people and situations. In doing this, the playwright suspends the natural laws; for instance, a man falls flat m the floor but does not really hurt himself. Comedy is usually presented as a moral satire used to attack vices like greed, hypocrisy, lust, laziness, or ignorance. The aim is to correct social ills, social injustice or to ridicule a particular human fault or social imbalance. It thrives on exaggeration of situation and character to show mankind worse than it really is. Since drama is a conscious and deliberate presentation of events/experience based mostly on real life but not the same with real life, one should, therefore, not expect comedy to be the same with real life.

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