Skip to main content

Ohimai – No One

Ohimai - No OneMusic minister and Gospel recording artiste, Ohimai releases his highly anticipated debut single titled “No One.”

It’s a deeply stirring and anointed worship song which unequivocally declares “no one can do the things that only JESUS can do.”

Speaking about the new song, Ohimai who is also a certified IT Consultant shares:

“When I sit back and look at all the Lord has done for me from birth till date, all the battles He fought and won which I knew nothing about, all the victories I’ve had over the trials, tribulations and even the attempts on my life, my heart is filled with unreserved gratitude to my Present Help (Jesus). (Psalm 124).

“In John 2: 4-7, Jesus told his mother Mary, my time has not come but a while after He turned water to wine (He made it happen in his own time. (Ecclesiastes 3 :11). NO ONE can do the things He does, has done and will do.

“All I owe God is gratitude, appreciation, and sharing testimonies of all He’s done for me and so I will like you to join me in celebrating and worshipping the God of all gods. I dare any man or woman to stand up and challenge my God or dare to take his glory. He is the God of all gods and there’s NO ONE like Him.

“This song was birthed in immense worship on a Sunday service right on the altar.”

The song was written by Ohimai and produced by SheyeeJazz.

 

Stream & Download Audio Below; 

 

DOWNLOAD MP3

 

About Ohimai

Ohimai is a Nigerian Gospel music minister as well as an IT Consultant (with experience in Software and Hardware installation, configuration and support with various certifications) who was born in Warri, Nigeria.

He attended St Mary’s Private school,broad street Lagos. where he was involved in many musical activities and started playing instruments like the flute, recorder as well as the drums and there he also started his singing.. He moved on to Federal Government College ibillo where he met christ and also became one of the lead tenor vocal singers/ministers.
This he continued in Olabisi Onabanjo University where he graduated as a Computer Scientist (2008).

He has worked with renowned artists and OAPs like Sabina Umoren (Naija Pastor), Lucky Okri and is currently serving as the Music Director in Victorious Army Ministries Intl, Lagos.

He is a principled person who’s daily bread is music and his watchword is: Service is as commanded and not as convenient.

 

The post Ohimai – No One appeared first on Gospel Songs 2019.



from Gospel Blog – Gospel Songs 2019
via GOSPELMUSIC

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F