Skip to main content

Super Eagles star reveals Nigeria's game plan against Egypt's Pharaohs on Tuesday

- Ahmed Musa is confident Nigeria will improve on their game when tface Egypt in a friendly on Tuesday.

- Nigeria struggled to beat Seychelles 3-1in Friday’s 2019 AFCON qualifiers game at the Stephen Keshi Stadium

- The Al-Nassr forward blamed the playing turf for the unimpressive showing

Ahmed Musa has reassured Nigerians that the Super Eagles will improve on their game when they trade tackles with Pharaohs of Egypt on Tuesday, March 26, at the Stephen Keshi Stadium.

Musa blamed the poor state of the pitch for their unimpressive performance in the 3-1 victory over Seychelles’ Pirates on Friday, but was quick to add that after more training sessions at the match venue, the Eagles will be on top of their game against Pharaohs in Asaba.

READ ALSO: Francis Uzoho’s errors are becoming unacceptable, claims Emma Okocha

“We are going to play an improved game against Egypt. It was a tough game for us against Seychelles because the pitch is not too good if we compare it with the type of pitch we use at our various clubs,” Musa told journalists during a media chat.

“We will lift our game because we know that this is the final friendly game window before the preparations for the AFCON will start proper.

“We spoke to ourselves after the disappointment of the World Cup in Russia and we have not lost any game since then.”

Earlier, Legit.ng reported that Super Eagles of Nigerian have rounded up their matches in the 2019 African Cup of Nations qualifiers with an impressive 3-1 win over Seychelles on Friday, March 22, in Asaba.

Gernot Rohr's men went into the game with great confidence and relaxed minds after winning the first leg 3-0 away and coupled with the fact that Nigeria had already qualified for 2019 AFCON.

PAY ATTENTION: Install Pitch Football app for FREE to instantly access stats, news and live updates

Nigeria started the match impressively with Arsenal striker Alex Iwobi winning a free-kick for the Super Eagles in the 5th minute, but Ahmed Musa was unable to connect with it.

Seychelles had a great chance for them to have taken the lead in the 9th minute when Jude setup Karl, but goalkeeper Francis Uzoho made a nice save.

Etebo also had two great chances in the 11th and 16th minutes respectively, but he was unable to find the back of the net.

Super Eagles finally scored their first goal in the 33rd minute via a penalty after Karl Hall fouled Wilfred Ndidi in the box in which the referee gave a penalty scored by Odion Ighalo.

But the visitors came back with an equalizer before the end of the first half through Randy Melanic who benefited from an error by Nigerian goalkeeper Francis Uzoho.

Henry Onyekuru scored the second goal for the Super Eagles in the 50th minute via an header after receiving a nice assist by Jamilu Collins before Moses Simon sealed the victory at the death as Nigeria won the match 3-1.

NAIJ.com (naija.ng) -> Legit.ng We have updated to serve you better

Nigeria not among top 3 favorites to win AFCON 2019 – Gernot Rohr | Legit TV

Source: Legit.ng



from Nigeria News today & Breaking Naija news ▷ Read on Legit.ng 24/7 https://ift.tt/2Fwma8Z
via EDUPEDIA24/7

Comments

Popular posts from this blog

These funny food quotes will make you laugh like crazy

Food is not only an essential part of the daily routine but also the most exciting one. We cannot imagine our life without something yummy. How do you make ordinary eating fun and unforgettable? We bring to your attention amazing food quotes which will definitely make you smile. Image: unsplash.com (modified by author) Source: UGC Are you looking for interesting ideas to entertain your interlocutor while having lunch at work or family dinner? Then this article is definitely for you! Good food quotes Below are food quotes, aphorisms and witty statements. This is an exciting and extraordinary collection of the top "pearls of wisdom" on this topic. Here you can find funny jokes and sayings, intelligent thoughts of philosophers and original words of great thinkers and inspiring statuses from social networks, as well as many other things. The best appetite comes without food. I love calories. They are dаmn tasty. An empty stomach is the Devil's playground. Have bre

The Transitional Phase of African Poetry

The Transitional Phase The second phase, which we have chosen to call transitional, is represented by the poetry of writers like Abioseh Nicol, Gabriel Okara, Kwesi Brew, Dennis Brutus, Lenrie Peters and Joseph Kariuki. This is poetry which is written by people we normally refer to as modem and who may be thought of as belonging to the third phase. The characteristics of this poetry are its competent and articulate use of the received European language, its unforced grasp of Africa’s physical, cultural and socio-political environment and often its lyricism. To distinguish this type of poetry we have to refer back to the concept of appropriation we introduced earlier. At the simplest and basic level, the cultural mandate of possessing a people’s piece of the earth involves a mental and emotional homecoming within the physical environment. Poems like Brew’s ‘‘Dry season”, Okara’s “Call of the River Nun”, Nicol’s “The meaning of Africa” and Soyinka’s “Season”, to give a few examples,

The pioneering phase of African Poetry

The pioneering phase We have called the first phase that of the pioneers. But since the phrase “pioneer poets” has often been used of writers of English expression like Osadebay, Casely-Hayford and Dei-Anag, we should point out that our “pioneer phase” also includes Negritude poets of French expression. The poetry of this phase is that of writers in “exile” keenly aware of being colonials, whose identity was under siege. It is a poetry of protest against exploitation and racial discrimination, of agitation for political independence, of nostalgic evocation of Africa’s past and visions of her future. However, although these were themes common to poets of both English and French expression, the obvious differences between the Francophone poets and the Anglophone writers of the 1930s and 1940s have been generally noted. Because of the intensity with which they felt their physical exile from Africa, coupled with their exposure to the experimental contemporary modes of writing in F